Pubblicazioni curate dal CUSVE e dai suoi membri

2023

Marco Canani and Anna Enrichetta Soccio (eds), The Language of Science in the Long Nineteenth Century: Cultural, Lexical, Textual Insights, Chieti, Solfanelli

 

2022

Marco Canani, “Christ as the ‘Romantic Artist’: Romanticism and Suffering in De Profundis.” Textus. English Studies in Italy XXXV, 2 (2022): 79-92.

 

2021

Silvia Antosa,  “Cannibal Appetites and Transgressive Desires: Consumption and Corporeality”, in Transgressive Appetites. Food in Victorian Literature and Culture, edited by Silvia Antosa, Mariaconcetta Costantini and Emanuela EttorreMilano-Udine, Mimesis, 2021

Ian Campbell, senior ed., The Correspondence of Thomas and Jane Welsh Carlyle, Duke-Edinburgh edition, Durham, NC, Duke University Press, 49 vols, forthcoming.

Mariaconcetta Costantini, a cura di, Ellen Wood, Casa Danesbury, con un’introduzione di Mariaconcetta Costantini, traduzione di Mariaconcetta Costantini e Giorgia Paternostro, Roma, Edizioni Croce, 2021

Maria Luigia Di Nisio, Poetesse vittoriane tra evoluzionismo ed emancipazione. Augusta Webster, Mathilde Blind, Amy Levy, Chieti, Solfanelli, 2021

Phillip Mallett, “Rudyard Kipling and the Ethics of Adventure’” in Kipling in India, ed. Jan Montefiore and Harish Trivedi, London, Routledge, 2021, pp. 183-196

Sidia Fiorato, “Performing Identity on the island of the self: J.M. Barrie’s Peter Pan”, in Island-ness. A Cross-Disciplinary Journey through Geography, Law and Fiction, ed. Chiara Battisti, Sidia Fiorato, and Matteo Nicolini, Berlin and Boston, Degruyter, 2021 (forthcoming)

Sidia Fiorato, “Performing identities in Bram Stoker’s Dracula: The Encounter with the Other between Politics, Tourism, Migration and Culture in the late Victorian Context”, in Pólemos. Journal of Law, Literature and Culture 15, 2 (2021, forthcoming)

Michela Marroni, a cura di, Wilkie Collins, Il diario di Anne Rodway, traduzione di Michela Marroni, Roma, Edizioni Croce, 2021

Enrico Reggiani, “George Eliot, Literary Soundscaping, and Beethoven”, in “This Particular Web”. George Eliot and the Others, 2021 (forthcoming)

Kim Salmons and Tania Zulli (eds.), Migration, Modernity, and Transnationalism in the Works of Joseph Conrad, London, Bloomsbury, 2021

 

2020

Silvia Antosa, “Isabel Burton fra tradizione e trasgressione”, in Victorian Challenges: la ricerca del nuovo nella letteratura inglese dell'Ottocento, a cura di Mariaconcetta Costantini e Enrichetta Soccio, Lanciano, Carabba, 2020, pp. 115–130

Ian Campbell, “Scottish Literature in a Time of Change”, in The History of Scottish Theology, Vol. II: The Early Enlightenment to the Late Victorian Era, ed. David Fergusso and Mark Elliott, Oxford, Oxford University Press, 2020, pp. 199-212.

Marco Canani, “The Epistemology of Place in Vernon Lee’s Genius Loci and D. H. Lawrence’s Twilight in Italy.” RSV: Rivista di Studi Vittoriani XXV, 50 (luglio 2020), 55-73

Marco Canani, “Within and without the Text:  On Transmedia Sources in Algernon Charles Swinburne’s Tristram of Lyonesse”, in Tristan Mythos Maschine. 20. jh. ff., hrsg. R. Schöller et al., Würzburg, Königshausen & Neumann, pp. 67-88

Claudia Capancioni, “A Visit to the Brontë Parsonage: Metamorphoses of Charlotte Brontë in Michèle Roberts’ The Mistressclass,” in Metamorfosi vittoriane: Riscritture, riedizioni, traduzioni, transcodificazioni, a cura di Renzo D’Agnillo e Anna Enrichetta Soccio, Chieti, Solfanelli, 2020, pp. 95-109

Mariaconcetta Costantini, Mrs. Henry Wood, Brighton, Edward Everett Root Publishers, 2020 (“Key Popular Women Writers”) 

Mariaconcetta Costantini, Anna Enrichetta Soccio (a cura di), Victorian Challenges. La ricerca del nuovo nella letteratura inglese dell'Ottocento, Lanciano, Carabba, 2020

Renzo D’Agnillo, Anna Enrichetta Soccio (a cura di), Metamorfosi vittoriane. Riscritture, riedizioni, traduzioni, transcodificazioni, Chieti, Solfanelli, 2020

Francesca D’Alfonso, “Le metamorfosi del corpo: dinamiche fisiognomiche in The Old Wives’ Tale di Arnold Bennett”, in Metamorfosi vittoriane. Riscritture, riedizioni, traduzioni, transcodificazioni, a cura di Renzo D’Agnillo e Anna Enrichetta Soccio, Chieti, Solfanelli, 2020, pp. 139-147

Jane Desmarais and David Weir, ed., The Oxford Handbook of Decadence, Oxford, Oxford University Press, 2020

Maria Luigia Di Nisio, “Riscrivere i classici antichi: il revisionismo di Augusta Webster”, in Metamorfosi vittoriane:Riscritture, rimediazioni, traduzioni, transcodificazioni, a cura di Renzo D’Agnillo e Anna Enrichetta Soccio, Chieti, Solfanelli, 2020, pp. 111-125.

Phillip Mallett, “Science and the Victorian Novel”, in Handbook of the English Novel, 1830-1900, ed. Martin Middeke and Monika Pietrzak-Franger, De Gruyter, Berlin, 2020; pp. 23-49. 

Francesca Orestano, “Dickens as Icon and Antonomasia in Assassin’s Creed: Syndicate”, in Reading Dickens Differently, ed. by L. Litvack and N. Vanfasse, Hoboken NJ, Wiley-Blackwell, 2020, pp. 207-222. 

Francesca Orestano, “L’età vittoriana e le sue disarmonie: il romanzo, la storia, la natura del gotico”, in Victorian Challenges. La ricerca del nuovo nella letteratura inglese dell’Ottocento. Studi in onore di Francesco Marroni, a cura di Mariaconcetta Costantini e Anna Emrichetta Soccio, Lanciano, Carabba, 2020, pp. 69-82.

Francesca Orestano,"The Chinaman in London, 1700-1900: 'a deeper shade of yellow'", in Metamorfosi vittoriane. Riscritture, riedizioni, traduzioni, transcodificazioni, a cura di Renzo D'Agnillo e Anna Enrichetta Soccio, Chieti, Solfanelli, 2020, pp. 37-58.

Enrico Reggiani, “Gerard Manley Hopkins, “Shakspere” (1865) and Catholic Self-knitting”, in Victorian Challenges. La ricerca del nuovo nella letteratura inglese dell’Ottocento. Studi in onore di Francesco Marroni, a cura di Mariaconcetta Costantini e Anna Enrichetta Soccio, Lanciano, Carrabba, 2020, pp. 131-145

Francesca Saggini, Il fantasma in salotto. Dentro al Fantastico dell’Ottocento, Milano, Unicopli (Collana Maelström), 2020.

Francesca Saggini, “The Gothic in Nineteenth-century Italy”, in The Cambridge History of the Gothic, Vol. II, ed. by Dale Townshend and Angela Wright, Cambridge, Cambridge UP, 2020, pp. 303-27

Sally Shuttleworth (co-ed., with C. Charlwood, R.G. Foster), Interface Focus, special issue: Sleep and Stress, Past and Present, Royal Society Publishing, 2020

Sally Shuttleworth (co-ed, with M. Dickson and E. Taylor-Brown), Progress and Pathology: Medicine and Culture in the Nineteenth Century, Manchester, Manchester UP, 2020

Sally Shuttleworth (co-ed., with G. Dawson, B. Lightman, J.R. Topham), Science Periodicals in Nineteenth-Century Britain: Constructing Scientific Communities, Chicago, Chicago UP, 2020

 

2019

Richard Ambrosini, Le storie di Conrad. Biografia intellettuale di un romanziere, Roma, Carocci, 2019

Raffaella Antinucci, “Gentlemanliness, Status and Law in Anthony Trollope’s Lady Anna”, Polemos, 13, 2, 2019, pp. 231-249

Silvia Antosa, “Domesticising the Exotic. Isabel Burton’s Inner Life of Syria”, Victorian Popular Fictions Journal, 1, 1, Spring 2019, pp. 57-79. 

Elisa Bizzotto, “Marius the Epicurean, Walter the Medusean: Praz’s Paterian (Self-)Fashioning”, in Elisa Bizzotto (ed.), Mario Praz: Voice Centre Stage, Oxford, Peter Lang, 2019, pp. 189-204

Mariaconcetta Costantini, a cura di, Wilkie Collins, Lo scrigno di Mr Wray, ovvero la maschera e il mistero. Una storia di Natale, con un’introduzione di Mariaconcetta Costantini, traduzione di Emilia Carmen Cavaliere, Roma, Libreria Croce, 2019

Francesca D’Alfonso, a cura di, George Eliot, Silas Marner: Il tessitore di Raveloe, Chieti, Solfanelli, 2019

Francesca D’Alfonso, “Infanticide in Adam Bede: Hetty Sorrel and the Rough Language of Justice”, Pólemos 13 ,2 (2019), pp. 251- 263

Maria Luigia Di Nisio, “‘Seething in oily rage’: Greek Myth and the Woman Question in Emily Pfeiffer’s Studies from the Antique”, MediAzioni 25 (December 2019)

Maria Luigia Di Nisio, “‘In the garb of ancient Greece’: Late-Victorian Women Poets and the Gendering of Classicism”, in Worlds of Words: Complexity, Creativityand Conventionality, vol. 2, ed. Roberta Ferrari and Sara Soncini, Pisa, Pisa University Press, 2019, pp. 235-246

Francesca Orestano, “Victorian Arts and the Challenge of Modernity: Analogy, the Grid, and Chemical Transformations”, Cahiers victoriens et édouardiens, 89, Spring 2019, pp. 1-18

Sally Shuttleworth (co-author, with A. Bonea, M. Dickson, J. Wallis), Anxious Times: Medicine and Modernity in Nineteenth-Century Britain, Pittsburgh, Pittsburgh UP, 2019

Saverio Tomaiuolo, “Remembering Dickens: David Copperfield on Italian Television”, Dickens Quarterly 36, 4 (2019), pp. 318-328

Tania Zulli, Joseph Conrad, Language and Transnationalism, Chieti, Solfanelli, 2019

 

2018

Silvia Antosa, Frances Elliot and Italy: Writing Travel, Writing the Self, Milano-Udine, Mimesis, 2018

Silvia Antosa, “Imagining Italy and Sicily: Frances Elliot’s ‘Idle’ Wanderings in the South”, edited by Joseph Bristow, Rebecca N. Mitchell and Charlotte Ribeyrol, Studies in Walter Pater and Aestheticism, 3, 2018, pp. 41-58

Elisa Bizzotto, “Symons on Italy and the Metamorphoses of Aesthetic Travel Writing”, in Elisa Bizzotto and Stefano Evangelista (eds), Arthur Symons: Poet, Critic, Vagabond, Oxford, Legenda, 2018, pp. 131-144

Elisa Bizzotto, “Salomé and Saint Sebastian: Modern Myths in Wilde and D’Annunzio”, in Michael F. Davis and Petra Dierkes-Thrun (eds), Wilde’s Other Worlds, London, Routledge, 2018, pp. 137-156

Claudia Capancioni, “Janet Ross’s Love of Italian Peasant Songs: Tuscan Folk Songs and the Victorians”, in Interconnecting Music and the Literary Word, edited by Fausto Cioppi, Roberta Ferrari, and Laura Giovannelli, Newscatle upon Tyne, Cambridge Scholars Publishing, 2018, pp. 110–123

Allan Christensen, Darwinian Nature and Artistic Texts: Essays on Making/Unmaking, Chieti, Solfanelli, 2018

Jane Desmarais, Monsters under Glass: A Cultural History of Hothouse Flowers from 1850 to the Present, London, Reaktion Books, 2018

Francesco Marroni, L’angelo del deserto: saggio su Paul Bowles, Lanciano, Carabba, 2018

Francesco Marroni e Francesca D’Alfonso (a cura di), Jane Austen: Silenzi, lacune, allusioni, Lanciano, Carabba, 2018

Michela Marroni, Dialoghi traduttologici: Il testo letterario e la lingua inglese, Chieti, Solfanelli, 2018

Francesca Orestano, “Little Dorrit”, in The Oxford Handbook of Charles Dickens, ed. R.L. Patten, J.O. Jordan, C. Waters, Oxford, Oxford University Press, 2018, pp. 245-259

Francesca Orestano, “Spectacular Bankruptcy: Mr Dombey’s ‘Retribution’, the Auction at Stowe, and the Melodramatic Imagination”, RSV. Rivista di Studi Vittoriani, 46 (luglio 2018), pp. 7-28

Biancamaria Rizzardi, “Pride and Prejudice e il gioco del silenzio: allusione e collusione”, in Jane Austen. Silenzi, lacune, allusioni, a cura di Franesco Marroni e Francesca D’Alfonso, Lanciano, Carabba, 2018

Tania Zulli, a cura di, Joseph Conrad, Amy Foster, traduzione di Tania Zulli, Venezia, Marsilio, 2018

 

2017

Raffaella Antinucci, Come leggere Emma, Chieti, Solfanelli, 2017

Clauia Capancioni, “A Meeting of Two Remarkable Men: Garibaldi at Farringford”, in The Tennyson Bulletin, Vol. 11, Iss. 1 (2017), pp. 40-51

Claudia Capancioni, “Janet Ross’s intergenerational life writing: female intellectual legacy through memoirs, correspondence, and reminiscences’”, Life-Writing, Volume 14, Writing Lives Together: Romantic and Victorian Auto/Biography, edited by Felicity James and Julian North, pp. 233-244

Francesca Saggini, “Il riflesso del vampiro. Nelle periferie narrative di Bram Stoker”, in Figure di passaggio. Temi, generi e linguaggi della fin de siècle inglese, a cura di Benedetta Bini, Viterbo, Sette Città, 2017, pp. 9-30

Arthur Symons, Selected Early Poems, ed. with an Introduction and Notes by Chris Baldick and Jane Desmarais, Cambridge, Modern Humanities Research Association, 2017

 

2016

Raffaella Antinucci, “Domesticating the North: Anthony Trollope’s re-writing of Iceland”, Textus, XXIX, 2, 2016, pp. 63-77

Marco Canani, “Tra le lingue, tra le culture: intorno al manoscritto italiano ‘Ville romane: in memoriam’ di Vernon Lee”, LCM. Lingue, culture, mediazioni / Languages, Cultures, Mediation 3, 1 (2016), ‘Le nuove frontiere dell’eteroglossia’, a cura di G. Cartago, G. Rovere, 47-63

Marco Canani, “Vernon Lee e la modernità etrusca, tra eredità artistica e memoria culturale”, in Fascino etrusco nel primo Novecento. Conversando di arti e storia delle arti, a cura di G. Bagnasco Gianni, Milano, Ledizioni, 2016, pp. 177-195

Francesca D’Alfonso, Arnold Bennett. Narratore e interprete delle Cinque Città, Lanciano, Carabba, 2016

Jane Desmarais, A Cultural History of Decadence, Cambridge, Poility Press, 2016

Michela Marroni, Come leggere Robinson Crusoe, Chieti, Solfanelli, 2016

Michela Marroni, a cura di, Elizabeth Gaskell, I fratellastri, introduzione di Michela Marroni, traduzione di Salvatore Asaro, Roma, Edizioni Croce, 2016

Enrico Reggiani, “Remaking Song and Self: W. B. Yeats’s Approach to Remediation in 1908”, in Remediating Imagination. Literatures and Cultures in English from the Renaissance to the Postcolonial, ed. Gioia Angeletti, Giovanna Buonanno, Diego Saglia, Roma, Carocci, 2016, pp. 85-95

 

2015

Raffaella Antinucci, “‘An Italy Independent and One’: Giovanni (John) Ruffini, Britain and the Italian Risorgimento”, in Britain, Ireland, and the Italian Risorgimento, ed. Nick Carter, Basingstoke, Palgrave, 2015, pp. 104-126

Marco Canani, “Queer Heroines. On the Construction of Gender in Vernon Lee’s Renaissance Essays”, Textus. English Studies in Italy XVIII, 1 (2015): Narratives of Gender, Sexuality and Embodiment in Modern and Contemporary English Culture, ed. S. Antosa and J. Bristow, 35-55

Allan C. Christensen, Francesco Marroni, David Paroissien (eds.), Dialogic Dickens: Invention and Transformation, Chieti, Solfanelli, 2015

Mariaconcetta Costantini, Sensation and Professionalism in the Victorian Novel, Bern, Peter Lang, 2015 (“Victorian & Edwardian Studies”)

Phillip Mallett, “Masculinity, Imperialism, and the Novel”, in The Victorian Novel and Masculinity, ed. Phillip Mallett, London, Palgrave Macmillan, 2015; pp. 151-71 

David Paroissien, “Dickens the Historian, Carlyle the Novelist: Dickens, Carlyle and the French Revolution”, in The Fiction of History, ed. Alexander Lyon Macfie, Abingdon, Routledge, 2015, pp. 72-82.

 

2014

Claudia Capancioni, “Victorian Women Writers and the Truth of the “other side of Italy”’, in Women, Travel Writing, and Truth, edited by Clare Broome Saunders, New York and Abingdon, Routledge, 2014, pp. 109-123

Sidia Fiorato, “Women, Property and Identity in Wilkie Collins’ The Woman in White”, in Pólemos. Journal of Law, Literature and Culture, 8, 1 (2014)

Francesca Saggini, “‘Compared to these Italian trills are tame’. One Hundred Years of Robert Burns in Italy.” In The Reception of Robert Burns in Europe, ed. by Murray Pittock, London and New York, Bloomsbury Academic (“Reception of British & Irish Authors in Europe”), 2014, pp. 115-42 

Anna Enrichetta Soccio, Come leggere Hard Times, Chieti, Solfanelli, 2014

Saverio Tomaiuolo, Come leggere Heart of Darkness, Chieti, Solfanelli, 2014

Tania Zulli, Come leggere A Passage to India, Chieti, Solfanelli, 2014

 

2013

Raffaella Antinucci, Anna Enrichetta Soccio (eds), RSV. Rivista di Studi Vittoriani, XVII/2-XVIII/1 (luglio 2012-gennaio 2013), special issue, Edward Lear in the Third Millennium. Explorations into his Art and Writing

Francesca D’Alfonso, Nel Mondo di John Fante. Autobiografismo e furore letterario, Roma, Aracne, 2013

Sidia Fiorato, “The Churchyard in Wilkie Collins’s The Woman in White: Issues of Madness and Illegitimacy”, Pólemos. Journal of Law, Literature and Culture, 7, 2 (2013), pp. 249-268

Sidia Fiorato, “The Strange Clauses of Dr Jekyll’s will: The Body as its Precondition and its Legacy”, Pólemos. Journal of Law, Literature and Culture, 7, 1 (2013), pp. 99-121

Phillip Mallett (ed.), Thomas Hardy, Under the Greenwood Tree, Oxford, Oxford UP, 2013

Francesco Marroni, Come leggere Jane Eyre, Chieti, Solfanelli, 2013

Francesco Marroni, Alfred Tennyson e la poesia del dubbio, Bari, Adriatica, 2013 (ristampa) 

Saverio Tomaiuolo, “Sensation, Empire, and The Indian Mutiny”, in The Cambridge Companion to Sensation Fiction, ed. Andrew Mangham, Cambridge, Cambridge UP, 2013, pp. 113-126

Saverio Tomaiuolo, “The Art of Forgetting: Tennyson’s In Memoriam and Hardy’s ‘Poems of 1912-13’”, in RSVRivista di Studi Vittoriani, 26-27, 2013, pp. 99-116

 

2012

Marco Canani, “The Food Metaphor: The Intertextual Afterlife of a Literary Text, from Dickens to Joyce”, Cultural Perspectives. Journal for Literary and British Cultural Studies in Romania 17 (2012), pp. 7-20.

Elio Di Piazza, “Rudyard Kipling’s Imperial Chronology in ‘The Lost Legion’”, in Time and the Short Story, ed. Maria Teresa Chialant and Marina Lops, Bern, Peter Lang 2012

Enrico Reggiani, Beau Idéal? Harriet Martineau e il ‘capitalist’ in “A Manchester Strike”, Milano, Educatt, 2012

Francesca Saggini, “Istantanea di un delitto. Dickens e l’occhio chiaro della modernità”,  in L’investigatore allo specchio: un approccio transdisciplinare al poliziesco, a cura di Francesca Saggini e Maurizio Ascari, Bologna, Bononia University Press, 2012, pp. 93-121.

Saverio Tomaiuolo, Victorian Unfinished Novels. The Imperfect Page, Basingstoke, Palgrave, 2012

 

2011

Ian Campbell, Thomas Carlyle, London, 1974; New York, 1975; Japanese translation by T. Tada, Tokyo, 1981; Thomas Carlyle, completely revised and expanded, Edinburgh, 1993;  Thomas Carlyle, second edition revised, Glasgow, Kennedy & Boyd, 2011

Jane Desmarais and Christ Baldick, ed., Decadence: An Annotaed Anthology, Manchester, Manchester University Press, 2011

Elio Di Piazza, “Samuel Butler e il paradosso della meccanica”, in Darwin nel tempo, a cura di Carlo Pagetti, Milano, Cisalpino, 2011

David Paroissien, “Clarriker, Pocket, and Pirrip: The Original Tale of Dickens’s Clerk”, Dickens Studies Annual 42 (2011), pp. 275-94

 

2010

Elisa Bizzotto, “‘Children of Pleasure’: Oscar Wilde and Italian Decadents”, in Stefano Evangelista (ed.), The Reception of Oscar Wilde in Europe, London and New York, Continuum International Publishing Group, 2010, pp. 124-140

Francesco Marroni, Victorian Disharmonies, Newark, Delaware University Press, 2010

Biancamaria Rizzardi, “The influences of Ovid's Heroides in Victorian Love Poetry”, in  Letter(s): Functions and Forms of Letter-Writing in Victorian Art and Literature, edited by Francesco Marroni and Mariaconcetta Costantini, Roma, Aracne, 2010

Sally Shuttleworth, The Mind of the Child: Child Development in Literature, Science and Medicine, 1840-1900, Oxford, Oxford UP, 2010

Saverio Tomaiuolo, In Lady Audley’s Shadow. Mary Elizabeth Braddon and Victorian Literary Genres, Edinburgh, Edinburgh University Press, 2010

 

2009

Richard Ambrosini and Richard Dury (eds), European Stevenson, Newcastle upon Tyne, Cambridge Scholars Publishing, 2009

Raffaella Antinucci, Sulle orme del gentiluomo: percorsi narrativi ed episteme vittoriana, Roma, Aracne, 2009

Ian Campbell, ed., Thomas Carlyle, Reminiscences (London, 1972); revised edition, co-ed. with K.J. Fielding, (Oxford,1997); revised edition, Glasgow, Kennedy & Boyd, 2009.

Francesca D’Alfonso, “An Artist in the Potteries: Arnold Bennett’s ‘The Death of Simon Fuge’”, RSV: Rivista di Studi Vittoriani XIV-XV, 28-29, (luglio 2009-gennaio 2010), pp.103-117

David Paroissien, “Victims or Vermin? Contradictions in Dickens’s Penal Philosophy”, in Stones of Law, Bricks of Shame, ed. Jan Alber, Toronto, University of Toronto Press, 2009, pp. 25-45

 

2008

Richard Ambrosini, Conrad’s Fiction as Critical Discourse, Cambridge, Cambridge University Press, 2008 [1991]

Chiara Battisti, La traduzione filmica. Il romanzo e la sua trasposizione cinematografica, Verona, Ombre Corte, 2008

Mariaconcetta Costantini, Venturing into Unknown Waters: Wilkie Collins and the Challenge of Modernity, Pescara, Edizioni Tracce, 2008 (“Armorica”)

David Paroissien (ed.), A Companion to Charles Dickens, Malden, Wiley-Blackwell, 2008

 

2007

Francesco Marroni, Spettri senza nome: modelli epistemici e narrativa vittoriana, Roma, Carocci, 2007

Michela Marroni, John Ruskin: Ricerca estetica e mito di Venezia, Roma, Aracne, 2007

 

2006

Richard Ambrosini and Richard Dury (eds), Robert Louis Stevenson, Writer of Boundaries, Madison, University of Wisconsin Press, 2006

Elio Di Piazza, “Conrad’s Narrative Poliphony in The Nigger of the Narcissus”, in Beyond the Roots, The Evolution of Joseph Conrad’s Ideology and Art, ed. Wieslaw Krajka, New York, Columbia UP, 2006

 

2005

Allan Christensen, Nineteenth-Century Narratives of Contagion: “Our Feverish Contact”, London and New York, Routledge, 2005

Elio Di Piazza, “The Quest for Values: Traditional Sources in Two Late Nineteenth-Century Novels of Adventure”, in Critical Studies, 25, ed. Nicole Bracker and Stefan Herbrechter, Rodopi, Amsterdam 2005

Biancamaria Rizzardi, “L'eroe vittoriano e i suoi modelli: l'‘Ulisse’ di Tennyson”, in The Complete Consort: Studi di anglistica in onore di Francesco Gozzi, a cura di Roberta Ferrari e Laura Giovannelli, Pisa, Edizioni Plus, 2005

 

2004

Allan Christensen (ed.), The Subverting Vision of Bulwer Lytton: Bicentenary Reflections, Newark, University of Delaware Press, 2004

Francesco Marroni, Miti e mondi vittoriani, Roma, Carocci, 2004

 

2003

Phillip Mallett, Rudyard Kipling: A Literary Life. London, Palgrave Macmillan; New York, St Martin’s Press, 2003

Enrico Reggiani, “Losses and Gains. Economie della letteratura negli autori cattolici vittoriani: metodi e prospettive di una ricerca”, RSV: Rivista di Studi Vittoriani, 16, 2003, pp. 59-77

 

2002

Elisa Bizzotto, “The Imaginary Portrait: Pater’s Contribution to a Literary Genre”, in L. Brake, L. Higgins and C., Williams (eds), Walter Pater: Transparencies of Desire, Greensboro, ELT Press, 2002, pp. 213-223

Francesco Marroni, Alfred Tennyson e la poesia del dubbio, Bari, Adriatica, 2002

Margaret Oliphant Racconti del visibile e dell’invisibile, traduzione, cura e introduzione di Chiara Battisti, Bologna, Re Enzo, 2002

 

2001

Richard Ambrosini, R. L. Stevenson: la poetica del romanzo, Roma, Bulzoni, 2001

Francesco Marroni (a cura di), Elizabeth Gaskell, Mia cugina Phillis, Venezia, Marsilio, 2001 (2a ed.)

 

1999

Chiara Battisti, “Il remake tra film e letteratura” in I Martedì, marzo 1999 

Chiara Battisti, “Jane Eyre da Jane Eyre: analisi di un remake”, in RSV: Rivista di Studi Vittoriani, 8 (1999)

Elio Di Piazza, L’avventura bianca. Testo e colonialismo nell'Inghilterra del secondo Ottocento, Bari, Adriatica, 1999

Biancamaria Rizzardi, La sfida femminile della poesia vittoriana, Urbino, Quattroventi, 1999

 

1996

Allan Christensen, A European Version of Victorian Fiction: The Novels of Giovanni Ruffini, Amsterdam and Atlanta, Rodopi, 1996

 

1995

Biancamaria Rizzardi, Fantasie Preraffaellite. La donna immaginaria in Poems and Ballads di A. C. Swinburne, Roma, Bulzoni, 1995

 

1994

Ian Campbell, ed., Lewis Grassic Gibbon, The Speak of the Mearns: With Selected Short Stories and Essays, Edinburgh, Polygon, 1994

 

1991

Richard Ambrosini, Introduzione a Conrad, Roma-Bari, Laterza, 1991

 

1976

Allan Christensen, Edward Bulwer-Lytton: The Fiction of New Regions, Athens, University of Georgia Press, 1976